A CRITICAL ANALYSIS OF PRETEXT, TEXT AND CONTEXT IN THE STAGE PRODUCTION OF DEATH AND THE KING’S HORSEMAN
A CRITICAL ANALYSIS OF PRETEXT, TEXT AND CONTEXT IN THE STAGE PRODUCTION OF DEATH AND THE KING’S HORSEMAN Abstract Wole Soyinka has come to symbolise authority in Africa and world drama. His treatises and proclamations have attained such iconic reverence that his drama is often understood „only‟ by the wholesome acceptance of his […]
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